| Başlık | Cyclist |
| Haftanın | BBH |
| Kampanya | The Lynx Effect |
| Reklamcı | Unilever |
| Marka | Lynx |
| İlk Yayınlanma Tarihi | 1999 / 11 |
| Ürün | Body Spray |
| Sektör | Deodorants |
| Slogan | The Lynx effect. |
| hikaye | We see TV sports coverage in a cycling stadium to signify the power of the "Lynx Effect". One of the fourth male cyclists gets off to a bad start when a woman official doesn't want to let him go. |
| felsefe | In revisiting the communication model, it was clear that a new expression of seduction and masculinity was needed. We introduced a tongue-in-cheek humour to the advertising and a new, ironic expression of seduction The Lynx Effect. As youth culture accelerated, as it became more fluid and demanding, Lynx also had to evolve beyond its existing ad formula of just one theme campaign a year. The Lynx Effect has been expressed in tv and print, in tactical ads and shorts, in events and promotions. |
| Sorun | When Lynx first came to BBH in 1995, the brand was widely recognised as the leading male deodorant body spray. However, research indicated that the brand image, and advertising in particular, were losing credibility with its audience and the brand was in danger of becoming the Brut of the 90s. |
| Medya Türü | Television |
| Süre | |
| Market | Europe |
| Yaratıcı Yönetmen | Rosie Arnold |
| Reklam Yazarı | Roger Beckett |
| Sanat Yönetmeni | Andy Smart |
| Yönetmen | Jonathan Greenhalgh |
| Prodüksiyon Şirketi | Godman |
| Ajans Prodüktörü | Tania Kane |